Description

“P est na. iss O ex glo ae” is “Palestrina. Missa O Rex gloriae”, to which I looked like the old fresco fragments which eventually crumble, bringing it to a fragile and vulnerable species. The surviving fragments add up the new, free from human reflection pattern, but the memory of a bygone integrity lies in the missing parts. Because the memory – it’s always about the losses. Like a TIme, I like “overwritten” the score of Palestrina with the deleting of “lost fragments”, and in this play there is not one of my notes, and the name with the lost letters – “P est na. iss O ex glo ae” – reflects its constructive idea.