Beschreibung

„P est na. iss O ex glo ae“ is „Palestrina. Missa O Rex gloriae“, to which I looked like the old fresco fragments which eventually crumble, bringing it to a fragile and vulnerable species. The surviving fragments add up the new, free from human reflection pattern, but the memory of a bygone integrity lies in the missing parts. Because the memory – it’s always about the losses. Like a TIme, I like „overwritten“ the score of Palestrina with the deleting of „lost fragments“, and in this play there is not one of my notes, and the name with the lost letters – „P est na. iss O ex glo ae“ – reflects its constructive idea.